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Grisly Roar 2, is a brawler arcade amusement created by Eighting/raizing in 1999. (Otherwise called Bloody Roar 2: Bringer of the New Age in Japan/europe and Bloody Roar II: The New Breed in the United States.) Grisly Roar arrangement contrasts from other battling recreations as every character has a monster mode that could be utilized to utilize new assaults, recoup some of lost health and for the most part to be quicker or all the more influential with their ambushes.  

Grisly Roar 2 accepted for the most part positive surveys from pundits. Doug Perry of IGN said that "What the diversion needs in history and inventiveness, it makes up for in a profound combo-laden battling framework, perfect representation, and layers of gameplay modes that few amusements offer. Johnny Liu of Game Revolution presumed that "Ridiculous Roar II is a diversion that you simply would prefer not to invest that much time with. Its fine for an attempt or two and nothing more. While sufficient, Bloody Roar II isnt anyplace close to the best. James Mielke of Gamespot said that "in the event that you never got the first amusement, 

Bloody Roar 2 is still a great diversion, with a greatly improved throws than the first. Be that as it may, as opposed to the first American rendition of Br1, Bloody Roar 2 is a minimal change that still experiences second-best status because of the avoidance of basic gameplay components that ought to never have been disturbed. The diversion is a significant frustration for such a guaranteeing arrangement. Reaction to the illustrations and outline was generally good. Perry noted that the amusements high-determination design "hone and take shape the polygonal, textured-mapped characters" and broadcasted that this brought the diversion "into the top level of most attractive Playstation diversions." He included that the creature outlines "are all strange, incline to a Japanese sensibility, and are stunningly composed, both in their tight customizing, and in the level of composition points of interest, shape, and development. Liu expressed that while the amusement is graphically sharp, "it utilizes insignificant liveliness outside of the characters." He said that the creature plans "do look really great, in spite of the fact that the human partners could utilize some work," and looked at the presence of the Stun characters insect structure to "a built up Unit 01 robot from the anime Neon Genesis Evangelion". Mielke acknowledged the diversion to be "as beautiful as the first portion - truth be told, it has a striking resemblance, with lovely light-sourcing, quick 60fps activity, and different types of enhanced appearances when exchanging into brute mode. 

The sound and music was met with blended reaction. Perry said that the sound impacts were "as great if not superior to a year ago diversion," yet called the music "positively uninspired" and contrasted it with "an arrangement of non specific riffs removed straight from the terrible overwhelming metal of the dismal mid-80s. Liu was incredulous of the voice-acting, noting that "the vast majority of these fellows sound simply sound wrong" and that "the anchor is totally without fervor; as opposed to getting pumped up for an energizing match, I groped more pumped to go do something else... else other possibilities." His reaction to whatever is left of the sound was additionally mediocre, saying that the sound impacts are "great, yet nothing new" and the music "isnt exceptionally noteworthy - average warrior passage, with a couple of decision choices, channeling down to some vexatious commotion. Mielke absolutely depicted the voice-overs and sound impacts as "truly well done"